
The Long and Winding Rhodes: Fashion, Staying Power, and Mulletspeak
By Jon Chattman
JUNE 2008— In the 1980s, Duran Duran keyboardist Nick Rhodes was to feathered mullets, headbands, and make-up what George Michael was to ass-hugging jeans and John Oates was to mustaches and wife-beaters. To put it simply, those specific styles defined a decade and always looked hip– well in that particular moment of time anyway.
As a band, Duran Duran, too, defined the decade churning out more hits than Edy’s ice cream does flavors from “Rio” to “Hungry Like the Wolf” to “The Reflex.” There was arguably no bigger band in that decade than Duran Duran. They were on everything from MTV to t-shirts-to teen magazines. Everywhere you looked, there was Simon, Nick, Roger, John and/or Andy. Unlike most 1980s performers, however, when the 1980s passed, the group didn’t go the way of the Kajagoogoo. As a matter of fact, the band, which constantly has transformed itself (band members leave, come back…new ones arrive, leave…old ones come back, leave…rinse, repeat) over the years, remains relevant and cool today. Case in point: their recent release “Red Carpet Massacre” was an electropop frenzy produced by Timbaland and featuring guest vocals by one Justin Timberlake.
To cut to the chase, Duran Duran are like the super hot models the members have dated: they have had a good pair of legs. Can’t get enough of shitty metaphors? Here’s one more: The band are like mustaches – every time you think they’re gone, they come back seemly out of nowhere to become bigger than ever. I had the good fortune to speak with Rhodes earlier this month before a tour date in Cali (The Red Carpet Massacre tour kicked off in Seattle on April 30 – the band plays New York later this month), and asked him about the band’s staying power, their current tour, and what the future might bring. Read more…
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